A long time ago, at the dawn of the Atomic Age, a succession of no-good punks and ill-mannered teenagers took the best of American roots music — hard-partying honky tonk country, searing gutbucket blues and lonesome hillbilly twang — and distilled it into a potent moonshine known as rockabilly. This combustible formula, passed down through the generations, forms the heart of the revved-up stylings of Delilah DeWylde.
Delilah DeWylde got her start in 2004. Just like rockabilly originators Johnny Cash, Bill Haley and Carl Perkins, this Michigander cut her teeth on steel-guitar driven country in the style popularized by Hank Williams, Ernest Tubb and Webb Pierce. But the draw of the big beat was irresistible, and over time the band’s approach has become sharper and tighter. Not self-consciously retro, Delilah remains committed to hand-crafted American music that stands at the crossroads of creativity and craftsmanship, liberally drawing from honky tonk country, rockabilly and surf music